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Natalie Portman Backs Israeli Director Nadav Lapid, Who Bashed Israel’s War Against Hamas, After He’s Booted from French Film Festival ‘Because He’s Israeli’

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Natalie Portman’s public defense of Israeli director Nadav Lapid—who openly criticized his own country’s campaign against Hamas—reveals the same selective outrage that often targets Israel while ignoring the very real security threats that justify armed self-defense. Portman and the 300-plus signatories frame Lapid’s exclusion from the Marseille festival as bullying, yet they remain silent on the festival’s capitulation to activists who equate any Israeli identity with collective guilt. This is the same logic that fuels campus encampments and corporate boycotts: strip a nation or an individual of the right to exist or speak simply because of their origin or politics. For Second Amendment advocates, the parallel is obvious—when governments or mobs decide who may be armed or who may speak, rights quickly become privileges doled out by whoever shouts loudest.

The deeper implication is that cultural institutions are now testing grounds for the same cancel culture that would happily disarm law-abiding citizens under the banner of “safety.” Lapid’s own anti-Israel stance did not shield him; his mere Israeli passport was enough to trigger exclusion. That tells pro-2A readers everything they need to know about incremental disarmament: today it is a filmmaker denied a stage, tomorrow it could be a concealed-carry holder denied a permit because an algorithm or activist list flags their politics or zip code. History shows that societies which first erode free expression rarely stop before eroding the practical means of self-defense.

Ultimately, the Portman-Lapid episode underscores why the right to keep and bear arms remains the ultimate backstop against both state and mob overreach. When cultural gatekeepers normalize punishing individuals for immutable traits or dissenting views, only an armed populace retains the leverage to push back. The same activists who chased an Israeli director out of France would not hesitate to chase gun owners out of public life if the political math ever favored them.

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